![]() Please be sure to check the email address you entered at checkout, the instant download link will be sent to that email address. This PDF pattern consists of rotary cutting instruction/measurements (no printing necessary!) for all pattern pieces, a label sheet for keeping organized, and includes detailed step-by-step instructions and professional illustrations.You will have 9 download attempts, keep in mind each time you open to view the file counts as an attempt.Please download (and save) the pattern file to your computer!.If you prefer, you can transfer the cutting measurements to paper (or a template material) to create your own paper template/pattern piece. Cut the pattern pieces straight from the fabric - saving time and paper. This means that you don’t have any templates (pattern pieces) to print off and assemble! You will need a rotary cutter, gridded ruler, and self-healing cutting mat. For this option, reduce fusible interfacing requirement to 1 ¼ yards and do not interface those pieces.Īdditional supplies + tools: Polyester thread, water-soluble pen/tailor’s chalk, cutting mat, ruler, rotary cutter, size 14 or 16 denim or Microtex needle, glue or glue pen, (optional) 1”-wide x 50” leather strap/webbing (or length as desired) may be substituted for fabric strapįeatured Fabrics are Surface by Amy van Luijk for Figo Fabrics. weight), you may be able to omit the interfacing for the exterior fabric and/or some of the accent pieces. ^= depending on your exterior or accent fabric choice (such as a heavier canvas or a waxed canvas in a 7-9 oz. Quilting cotton or lightweight canvas for Lining. *PLEASE NOTE: this pattern is written for fixed-length zippers (not zipper by the yard, if using zipper by the yard please add 1.5" to the length of each designated zipper) (1) 18mm thin magnetic snap (for front pocket closure) OR (1) size 24 metal snap can be substituted.(2) 1”-wide d-rings, (2) 1”-wide swivel clasps AND (1) 1”-wide strap slider ( hardware kit available here).2 ¼ yards Fusible Woven Interfacing (Pellon SF101 - 20”-wide)^.¾ yard Lining Fabric (includes Interior Pocket).½ yard Accent Fabric (includes Exterior pockets and Strap/Strap Holders).Finished Dimensions: 9 ½” wide by 3” deep (measured at base), 9 ¼” tall, width at top opening is 12 ½” Įxterior fabric requirement* not suitable for one-way directional fabric. top zipper to keep your belongings secure.Perfect for gifting! Regular size and mini! Adjustable strap makes it wearable in any season. Feature your favorite print or keep it simple with a solid! Includes front and back exterior pockets and interior pockets. This classic crossbody with a zip top closure will be one you will want to make over and over again. Then, our exclusive gripper holds the fabric in place while cutting, eliminating slipping and miss-cuts! Scan the QR Code printed on the ruler to view a video demonstration of these features.Perfect for on the go when you want something a little simpler but still keep organized. The ruler slides easily over the fabric until pressure is applied. Use these lines to square up blocks based on four-patches or embroidered and appliqued blocks. White horizontal and vertical lines are printed on the square so the center of the ruler is easily distinguishable. A 45 degree angle is printed in black and is used to trim half-square triangles to size. Use the patented Turn-A-Round feature designated by the easy to read, numerical white numbers (printed on black dots) and the 1/2 inch grip sides to add the 1/2 inch seam allowance. The 1/4 inch dashed lines printed on two adjoining sides aid in trimming seam allowances. Use the easy-to-read, black numbers (printed on white dots) and the 1/4 inch grip sides to cut whole inches. This 12-1/2 inch square features easy-to-read black and white markings printed in 1 inch grids marked in 1/8 and 1/4 inch increments.
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![]() So, Leslie and I were in a band called By Divine Right, which you obviously know already since you read This Book Is Broken. I just realized that I don’t have Feist featured in any of the songs I picked for this. I can be as guilty of that too, especially in going like, “Oh, yeah, we’re going to jam out this part for a while.”įor this list, you chose “Guilty Cubicles” for the Feel Good Lost song you want to talk about.Īctually, I was hoping if we could change it to “Passport Radio” because that song was the first time Kevin and Leslie met. Some of those jams definitely went on for a while. Were you sort of the moderating force bringing four-minute pop songs to the band? He said that if he were left to his own devices, every song would end up being 10 minutes long. I paged through my old copy of Stuart Berman’s oral history of Broken Social Scene, and I saw a quote from Kevin Drew where he said that during Feel Good Lost you had taught him how to end songs. The entire time, we were like, “Well, this isn’t supposed to be working but it’s working.” We had something that didn’t sound exactly like anything else I could think of off the top of my head. Right off the bat, Kevin had some really interesting and experimental ideas on how to make some drum loops. Any sampling that was done on the record was all done through this pedal that was made in Texas called a Boomerang Pedal. During that time, I had never recorded on an eight-track machine: It was a pretty primitive recording. We’d go out for drinks and have fun, come back around midnight and work until 7 or 8 in the morning. What were your first impressions of the collaboration?īrendan Canning: It was just a very intimate experience because we were in Kevin’s basement and we would often work really late hours. VMP: This is the album where you and Kevin Drew were first getting to know each other. “Passport Radio,” off Feel Good Lost (2001) Read on for Canning’s takes on songs ranging from Feel Good Lost to Hug of Thunder. Founder and bassist Brendan Canning has been at the band’s core throughout and has given Vinyl Me, Please the stories behind five of the band’s most important tracks. The band’s family tree extends out like a labyrinth with limbs holding acts like Feist, Stars, Metric, Apostle of Hustle, Do Make Say Think, and so many more. Often affectionately dubbed as a “mothership,” Broken Social Scene is the home base for a countless number of Toronto musicians. And this month, the band is back with another offering: the first of two EPs out this year called Let’s Try The After Vol. Seven years later, the band released Hug of Thunder, cementing a five-album streak as solid as any of their peers. The LP found the collective for the first time, spending time away from Toronto, mostly tracking the effort in Chicago with Tortoise’s John McEntire. While it was a rough period for the band compared to their honeymoon genesis, it featured some of the most defining tracks of their catalog like “7/4 (Shoreline),” “Superconnected” and “Major Label Debut.”įollowing solo albums under the Broken Social Scene Presents moniker and several “last shows ever” as a touring apparatus, the band returned with the excellent 2010 Forgiveness Rock Record. After the rise, Broken Social Scene returned with their self-titled LP in 2005. It was Broken Social Scene’s breakthrough, not just highlighting the group’s transition from basement project to full-fledged music collective with an expanding and constantly evolving roster, but also winning Canada’s Juno Award for Alternative Album of the Year. ![]() While mostly instrumental, the LP foreshadowed the wildly collaborative spirit the band would embody with their masterwork, 2002’s You Forgot It In People. The experimental and lovely album featured their friends, like singer Leslie Feist, drummer Justin Speroff, and multi-instrumentalist Charles Spearin, who mixed the effort. ![]() Formed by Kevin Drew and Brendan Canning in 1999, the two wrote and recorded the band’s post-rock inspired debut in Drew’s basement. This year marks the 20th anniversary of Broken Social Scene, the pioneering Toronto collective responsible for the most influential indie rock albums of the last couple decades. Despite some early trepidation, we are happy to report lots of smiles and successes! “Outdoors for Everyone” at AOEC While some participants came ready and excited to don the climbing harness and begin climbing, others needed to overcome their fears and face this new challenge. With the support of specially trained staff and volunteers from MaineBound and the Adaptive Outdoor Education Center (AOEC), and the encouragement of UMaine Student MEA volunteers, participants from 4 to 27 years old used their strength and determination to make their way upwards. (October 26th, 2019) Saturday, October 26 th, was a special day inside the MaineBound Adventure Center at the University of Maine as MAIER Family Partnership (MPF) families gathered to test their courage on the indoor climbing walls. Courage and Success for MAIER Families at the MaineBound Adventure Center! Thanks to an on-going partnership between the MDM and the Maine Autism Institute for Education and Research (MAIER) at the University of Maine, more than 30 families experienced the excitement and joy of visiting with Santa in an environment designed to support children on the autism spectrum on their own terms. (December 8, 2019) It was a special day at the Maine Discovery Museum MDM) in Bangor as Santa’s Village came alive for children attending the sensory-friendly “My Day to Play” on Sunday December 8 th. Our thanks to the UMaine students who helped families enjoy the afternoon, the Emera Center for opening their doors to our group, and most of all, to all our families and friends who made this event a fun, playful, and educational afternoon! MAIER Families Visit with Santa at the Maine Discovery Museum A vision of the current night sky, led by Emera Director Shawn Laatsch, topped off the afternoon. Polaris featured a friendly polar bear and penguin duo that led the younger group on a space mission to explore the earth and nearby planets, while To Space and Back, took the older group on a journey highlighting the technology that makes space exploration possible while also touching our day-to-day lives on earth. (Not to mention the spontaneous light show that arose from our glow-in-the-dark bracelets!) While some kiddos were drawn (and drawn, and drawn) to the interactive exhibits and visual displays in the lobby, others were fascinated by the darkness of the planetarium dome that came to life for two separate showings. ![]() While visiting the Emera Center may be a challenge for families that include a family member on the autism spectrum, Saturday’s shows were especially planned to offer everyone a time to let down their guard, be themselves, and learn about space, at their own pace and in their own style. (February, 2020) The Universe became a fascinating place to visit for those attending MAIER’s Family Partnership event at the Emera Astronomy Center at UMaine last Saturday. ![]() The Universe comes to life for MAIER Family Partnership families! Participating families received a monthly SMILE box filled with fun activities and engaging videos to promote physical activity, social skills, and sensory exploration. SMILE Boxes are designed to support families that include a member on the autism spectrum in exploring new ways to connect with one another through prompts and guided activities. ![]() (December 2020) This fall the Maine Autism Institute’s Family Partnership partnered with the Adaptive Outdoor Education Center (AOEC) to bring more than 75 SMILE Boxes to Maine children and teens on the autism spectrum. Visit our Community Events Calendar for up-do-date information on upcoming events! 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LMMS is a free cross-platform software which allows you to produce music with your computer. You can use all Loops and Sounds 100% royalty free in your productions. Next to the Melody Loops you will receive stem files for each Loop and even a complete Drum Kit with 19 One-Shot WAV Drum Samples. This Pack has been inspired by top-charting artists like Pop Smoke, Stormzy, Quavo, Drake, Gunna, Chief Keef, Roddy Ricch, Travis Scott, Lil Durk and many more. Linux MultiMedia Studio (LMMS) is a music creation tool similar to FL Studio (with which it's compatible) that lets you produce music from scratch using an intuitive yet very comprehensive interface that's packed with features and also supports MIDI keyboards and other specialized peripherals. We have put countless hours and effort in these Melody Loops and only used high quality plugins to give you the best sound straight out of the box. A music editor, producer and song editor which can mix music, create MIDI and create melodies. 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It was also announced that the website would split the music and film side into unique domains, and that RYM would be incorporated into the company name Sonemic. January 2014 marked an announcement that the two versions would be worked on simultaneously. ĭevelopment on "RYM 3.0" was announced in July 2010, with a soft "RYM 2.5" release appearing in July 2013 that included a dedicated classical music section, separation of DJ mixes and mixtapes, and split album support. In May 2009, Rate Your Music started to add films to its database. Namely, the two changes were commission-based links to online music retailers, and Google AdSense links (which registered users can elect not to view). As a result of rising expenses, the website ceased relying solely on donations in 2006 and began receiving revenue from other sources. On August 7, 2006, "RYM 2.0" was launched, introducing database features such as tracklists, record labels, catalog numbers, and more fields such as concerts and venues. 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English, Dutch, Finnish, French, German, Italian, Polish, Portuguese, Russian, Spanish, Turkish ![]() My first experiences are good: the software is easy to use, includes a nice magnification UI, and automatic curve detection works fine if the graph is “clean”.Īnd here's a list of other possible software from this answer on Cross Validated (link thanks to and Engauge Digitizer (free software, GPL license) auto point / line recognition. The later is something I had not thought about, but might actually be useful for some teaching needs (analysis of motion from a video).
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